There’s no power soak functionality but you can still play the amp at fairly low volumes. If thick and filthy is what you’re going for, this is it! The E元4 tubes add a hint of British flavour to the overdrive, particularly on channel 2. But, my expectations were broken – cleans were far better than I imagined – this isn’t a one trick pony by any means. What about tones? 5150’s aren’t known for their clean channels, and that set my expectations. Impedance is selectable between 4, 8, and 16 ohms. This includes a headphones jack socket, MIDI in, effects loop, pre-amp out, resonance control. On the back, you’ll find the extra cool stuff. On the foot pedal, you’ve got a foot switch for each of the 3 channels with different coloured LED’s so you can tell which channel you’ve selected even if you’re on a dark stage. Channel switching can be controlled from the front of the amp, or via a 4 button footswitch (which doesn’t have a molded cable – just a regular TRS jack socket). And gain/volume controls have knobs with 2 rotary controls. Just to give you an idea of size: this will just about fit on most 2×12” vertical speaker cabinets, maybe with a slight bit of overhang.Īnd as you might expect, the 5150 is capable of unleashing devastating amounts of gain.Ĭhannel one and two share EQ controls. It’s more compact than it’s 100-watt big brother, but not quite as compact as the lunch box style heads. The EVH 5150 Mk3 50-watt head is a 3 channel amplifier. My review of the EVH 5150 Mk 3 50-Watt Head Amplifier (pictured above): They’re now built and distributed by Fender which also makes them very accessible.Īnd this model comes with an impressive set of features. Remember that better interfaces will also play a role in yielding better results on a digital amp.The 5150 is one of the most recorded metal amps in history. I personally am happy with my purchase and would recommend. There are good options for overdrive, EQ, and compression and I find those very useful for shaping the sound I want.ĭue to grounding issues I get an annoying buzz so I don’t have any recordings to show for it, but the amp is compatible with my DAW and is available to select right from the effects bar. Sometimes less is more to get a nice clean sound with them, but there’s also a lot of fun stuff to experiment with like chorus pedals and octavers, and analog delay. Part of the appeal for me was learning how to use all the different effects without having to buy a million pedals. I’m able to get some nice cleaner lead voices, crunchy old school death metal, super compressed high attack chugga chugga stuff, all using just what came with the base version. I only have experience with Bias FX2, using high gain metal tones. I also plan to use whichever software I go for for bass tones, as well. I don't mind spending extra for the upgrade to get the Mesa stuff down the road, if the high gain packs are worth it, and having official emulations of some classic amps seems useful as someone who is knew to recording to find and emulate the tones I want.īias seems to be the more expensive option for me right away, but I know it's fairly well liked. I play a diverse range of styles, from traditional heavy metal to black metal to death/doom.Īmplitube appeals to me because I can get it bundled with their audio interface, which seems to have a lot of nice features, but I have heard some people say that the metal options are a little lackluster. The amp sim route is by far the most affordable way to go, and I'm wondering which software package offers the most for metal. I'm a bedroom guitarist, and after 10 years of playing and writing, I'm starting to assemble a basic recording setup to put together some demos.
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